Lap Throw / Yukata Fabric × Enshu Weave

Description Chusen Yukata Fabric & Enshu Weave Textile Cotton-Ramie Mix   Bring the beauty of Japanese kimono textiles into everyday life. Hand-dyed yukata fabric and Enshu cotton-ramie mix come together in this Lap throw, thoughtfully refined by skilled futon artisans for lightness, comfort, and everyday use. The top layer features Chusen-dyed yukata textile produced by Marukyu Shoten, using a time-honored Japanese hand-dyeing technique. Chusen dyeing allows color to penetrate the fabric completely, creating rich patterns that are equally beautiful on both sides. Subtle variations in tone and pattern reflect the handmade process, giving each piece its own unique character. The reverse side is made from Enshu weave cotton-ramie mix, a regional textile known for its gentle crinkled texture, breathability, and excellent moisture regulation. The blend of cotton and ramie keeps the fabric light, airy, and comfortable throughout the year.     Our futon craftsmen carefully select and layer these materials, finishing the piece in a lightweight, easy-to-use size ideal for everyday living—perfect for resting on your knees, shoulders, or sofa. Every stitch reflects the precision and sensibility cultivated through generations of Japanese bedding craftsmanship. This piece brings together traditional dyeing, regional textiles, and artisan tailoring into a modern lifestyle item—quietly luxurious, highly functional, and deeply rooted in Japanese culture.   ///Feature/// Size :  27.5″ x41 ” 70x 104(cm) Fabric: Cotton & Cotton-Ramie mix  Made in Japan Authentic Chusen-dyed yukata fabric  Breathable Enshu weave cotton-ramie mix backing Lightweight and easy to handle Crafted by experienced Japanese futon artisans Suitable for all seasons and daily use A refined textile story from Japan, made to be felt and lived with. ///How to care/// <About Marukyu Shoten> Marukyu Shoten was established in 1899 in Nihonbashi, Tokyo as a wholesaler of Chu-sen products. Chu- sen is a dyeing technique that originated in the Meiji era (1868-1912). It was mainly used for yukata (light cotton kimono) and towels and was a part of people’s daily life at that time. Marukyu continues to offer yukata (summer kimonos) and towels that can only be made with Tokyo Chu-sen dyeing. Marukyu has added color to Japanese arts and seasonal festivals by producing many patterns and designs under the name “Shin-Edo Dyeing”. Today, the production of Chu-sen is not limited to its use, but is part of the Chu-sen dyeing culture. /// What is Chu-sen dying ? ///  1. Paper Patterns The Chusen paper patterns apply a dyeing resist paste to the fabric in  order to create a pattern.  This product method is charactaized by pattern length of around 100cm.  Marukyu Shoten has an immense quantity of paper patterns made from tanned paper that we have been collecting since we fist began operating  in the Meiji Era (1867- 1912).  They utilize these patterns as a resource to design, produce, and present Chu-sen products that meet modern needs.     2. Stencil printing (on cloth) Using a paper pattern, the fabric is dipped in dye-resistant glue.  The process is repeated: first a pattern is applied, then a long piece of fabric is folded over, then another pattern is applied, and so on. There may be 20 to 40 layers. The areas covered with anti-staining glue do not allow dye to enter, so the pattern is dyed using this mechanism. 3. Dyeing The dye is poured from the top of the fabric, which is folded into a bellows, into a narrow spouted kettle. Then, a special machine is used to reduce the pressure from below and inhale the dye. The dye passes through the layered fabric from top to bottom at once, and the fabric is dyed. The fabric is then turned inside out and the same process is repeated so that the dyed fabric has no back and is dyed in exactly the same way. 4. Washing The dyed fabric is washed in water to remove excess paste and dye. After dehydration, the fabric is hung on a 10-meter-high outdoor drying rack to dry in the sun. This process is an emotional scene that is unique to the traditional dyehouse. <About Enshu Weave> Manufacturer of the Fabric Enshu-Tsumugi is one of the weaving that were originated in the Edo Era and passed down to the Enshu region in Shizuoka. There were many professional weaver in that region because it was one of a three main production area of quality cotton in Japan. In 80’s, the growing shift of fabric production overseas resulted as the decline of Enshu-Tsumugi. However there are still many wavers who are devoted to the tradition and making effort for the improvement of the quality of this precious fabric with deep affection. There always have been the reliability from the customers. Enshu-Tsumugi’s specialty is “The warmth of craftsmen”. From spinning to weaving, all processes need manual works by the skilled craftsmen. It’s widely used for general garment like kimono and bags and delight our daily life.   Among Enshu Tsumugi, of which the number of producers is decreasing year by year, the fabric for our item is produced by Shinchi Orimono. Their single loom weaves only about 50 meters per day, depending on the weaving design. This is because the weaving speed is purposely kept at about one-half the normal speed to prevent the fabric from being overstretched. Thanks to this, the fabric retains its charming soft texture. Because yarn-dyed yarns of various thicknesses are used, the expression of the weave is very three-dimensional and has a rich depth. Its shading gives it a unique beauty. Fine patterns are woven as if by magic, which is the result of meticulous calculation. The blueprints of some designs exist only in the mind of a artisan who has been working with the craft for many years. Their fabrics frequently appear in the collections of foreign brands as well as in the traditional Japanese wear industry.         Read More about Marukyu EDO Tokyo Kirari Project  https://en.edotokyokirari.jp/project/fashion/marukyu-shoten/